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I was really amazed by how advanced the technology is for film restoration in Europe and how much effort ARRI has put into the archiving industry. The keyword behind our decision to go with ARRI is preservation…our fundamental concern when dealing with our collections is that we care for them properly. Camera Systems Archive Solutions. A race against time All around the world, film archives have to deal with the immense amount of film material that has accumulated over the last century, most of which has yet to be digitized to an acceptable standard.
The challenge that lies ahead Deterioration There are many different types of material: black-and-white and color films, unique and non-standard formats, films on a cellulose-nitrate, cellulose-acetate or triacetate base. The 3D LUT will be applied on-the-fly during the recording process. This software plug-in allows recording of native pixel per line HD Format across the full aperture or academy area of the film without any rescaling.
This software plug-in calculates the pitch based on the image pixel size and the recorded image size. Therefore any number of pixels in a certain range can be recorded without any digital rescaling.
Shop BroadcastStore. Zooming in and out is always done by replicating or omitting pixels to exclude all possibility of inaccuracy of the displayed image. The viewer area includes the viewer window, timeline, projectable area, pixel info and display settings. It offers a visual control of the raw input sequence and is used to create interactively the configuration parameters. A preview shows the actual position of the final images on the film.
Operation 2. By default it is the length of the clip or sequence. Typing a particular number in that field will show this frame on the display. This will refresh the images and reset the frame range. Additionally the reserved region for the soundtrack and the frame line can be displayed. Those values will change by changing the loader LUT. In that mode the influence of changing the loader LUTs can be seen. It is mainly intended as a reference. In this window a configuration file for the image processing can be build.
Note: This configuration file works only together with the chosen geometry. See chapter 5. By default images of the size x are automatically recognized as HDTV pixel aspect 1.
For modifying this default selection please refer to chapter 4. First the desired projection aspect ratio must be choosen i. All available geometries for this aspect ratio will appear in the second drop down list. The pixel resolution and the pitch size provides additional information about the chosen output geometry.
A crop box with the appropriate aspect ratio will appear on the display. Geometries which are not available in the list can be generated in the ALGUI geometry setup as described in chapter 5. The LUT converts the given files into the Cineon format. Choose 10log, if the files are already in the Cineon format. Necessary adjustments like flip the image, paste on black background and invert the loader LUT interposlut are automatically done.
Results can be seen in the film view. No other adjustments need to be done for intermediate positive recording. By selecting a projection aspect ratio e. Crop Area By default the x-size of the crop box is set to maximum input image width and the image height is selected according to the aspect ratio.
The result is a horizontallycentered image with a letterbox on both sides.
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